Canon has announced the launch of the EOS-1D X, its latest flagship professional DSLR. The 18MP camera is built around a full-frame sensor capable of shooting at up to 14 frames per second (12fps with AF), allowing it to replace both the 1D Mark IV and 1DS Mark III in Canon’s lineup. Despite looking like previous 1D cameras, it’s been extensively reworked (it includes more professional video features than any other Canon DSLR), so we took the opportunity to talk to Canon USA’s Technical Advisor, Chuck Westfall about the camera and its features.

The 1D X won’t be available until March 2012, so examples are not widely available yet. We’ve been extensively briefed on the camera and, in combination with an exclusive interview with Westfall, have prepared an overview of the camera.

Press Release:


Featuring a Completely New 61-Point Autofocus, Fast Shooting up to 12 fps, 18-Megapixel Full-Frame CMOS Sensor, Full HD Video Recording and Much More

Canon U.S.A., Inc., a leader in digital imaging, is proud to introduce a completely revolutionized EOS-1D series camera, the Canon EOS-1D X Digital SLR camera.* As the new leader in Canon’s arsenal of professional DSLRs, the EOS-1D X will be a high-speed multimedia juggernaut replacing both the EOS-1Ds Mark III and EOS-1D Mark IV models in Canon’s lineup. Enhancing the revolutionary image quality of the EOS-1Ds and speed capabilities of the EOS-1D series, the EOS-1D X DSLR features an 18-megapixel full-frame Canon CMOS sensor, Dual DIGIC 5+ Imaging Processors, 14-bit A/D data conversion and capable of shooting an incredible 12 frames-per-second (fps).  Canon’s EOS DSLR cameras and accessories have a long-standing legacy of providing high-quality results to professionals in a wide range of markets, including sports, nature, cinematography, wedding and commercial studios. The addition of this new model will help take this tradition to a whole new level.

The EOS-1D X announcement comes on the heels of Canon’s recent manufacturing milestone with the production of the Company’s 50-millionth EOS-series SLR camera in September of 2011. Furthermore, Canon will achieve yet another milestone at the end of this month producing the 70-millionth EF lens.

“The EOS-1D X represents the re-invention of the EOS-1Ds and EOS-1D series, combining new proprietary Canon technologies with the culmination of customer feedback and requests from the field. We are proud to introduce this camera to the worldwide community of professional photographers and cinematographers with the features and capabilities they need to capture the great moments that display their talent,” stated Yuichi Ishizuka, executive vice president and general manager, Imaging Technologies and Communications Group, Canon U.S.A.

The Camera With Three Brains
The EOS-1D X features three DIGIC processors, including Dual DIGIC 5+ image processors capable of delivering approximately 17 times more processing speed than DIGIC 4, and a dedicated DIGIC 4 for metering and AF control. In conjunction with the newly developed high-performance 18-megapixel full-frame Canon CMOS image sensor, the Dual DIGIC 5+ processors provide high-speed continuous shooting, lower noise, and a significant increase in data processing speed than previous EOS-1D models. This new level of data processing speed allows the EOS-1D X to perform many functions including chromatic aberration correction for various Canon EF lenses in-camera instead of through post-production software. The DIGIC 4 processor utilizes a new 100,000-pixel RGB Metering Sensor for enhanced exposure accuracy with color and face detection, and works together with the camera’s new EOS iTR (Intelligent Tracking and Recognition) AF.

The EOS-1D X employs a completely new imaging sensor, producing the lowest noise of any EOS digital camera to date for stunning portraiture and studio work.  The new 18-megapixel full-frame CMOS sensor utilizes large pixels – 1.25 microns larger than those in the EOS-1D Mark IV sensor and .55 microns larger than those in the EOS 5D Mark II sensor  – together with gapless microlenses to achieve enhanced light gathering efficiency, higher sensitivity and less noise at the pixel level.  The new sensor has improved on the already very high signal-to-noise ratio of sensor output of earlier EOS models for outstanding image quality, even in extremely low light.  When combined with the Dual DIGIC 5+ imaging processors the results are stunning.  The images produced with the EOS-1D X camera’s new sensor are so clean that files can easily be up-sized if necessary for even the most demanding high-resolution commercial applications. The EOS-1D X will also feature new Ultrasonic Wave Motion Cleaning (UWMC), Canon’s second generation self-cleaning sensor unit, which utilizes carrier wave technology to remove smaller dust particles from the sensor and it includes a new fluorine coating on the infrared absorption glass to help repel dust.

The low-light capability of the EOS-1D X is evident in its incredible ISO range and ability to photograph in extremely low-light conditions. Adjustable from ISO 100 to 51,200 within its standard range, the new model offers a low ISO 50 setting for studio and landscape photography and two high settings of 102,400 at H1 and 204,800 at H2, ideal for law enforcement, government or forensic field applications.

New 61-Point High Density Reticular AF
The EOS-1D X includes a brand new 61-Point High Density Reticular AF, the most sophisticated DSLR AF system Canon has ever released.  The 21 focusing points in the central area are standard precision cross-type and effective with maximum apertures as small as f/5.6, depending on the lens in use. The center five points are also high-precision diagonal cross-type points for maximum apertures as small as f/2.8.  All 61 points are sensitive to horizontal contrast with maximum apertures as small as f/5.6 and 20 of the outer focusing points function as cross-type points with maximum apertures as small as f/4.0. Other innovations of the new 61-point High Density Reticular AF include expanded AF coverage area, superior focusing precision and low light sensitivity, and greater low-contrast subject detection capability compared to earlier EOS AF systems. (See image below for AF point configuration)

All AF functions now have their own menu tab for quick and easy access (formerly AF custom functions in previous EOS models).  A new AF Configuration Tool allows for customized setting of tracking sensitivity, the acceleration and deceleration of tracking subjects, and AF point auto switching, all of which are easily accessed and adjusted via the new AF menu tab. A built-in Feature Guide advises photographers on which settings to use according to subject matter.

Similar to the AF point selection options offered in the EOS 7D Digital SLR camera, the EOS-1D X offers six AF point selection modes: Spot, Single Point, Single Point with surrounding four points, Single Point with surrounding eight points, Zone selection and Automatic AF point selection. (See image below AF point selection options.)

EOS iTR AF: Intelligent Tracking and Recognition Enhances AF Performance
The Canon EOS-1D X features incredible new EOS iTR (Intelligent Tracking and Recognition) AF options ideal for wedding and event photography as well as sports and photojournalism. The default AF mode for the EOS-1D X uses phase detection AF information, while a new second option uses Face Detection technology to track recognized faces in addition to color information, ideal when shooting events such as tennis or dancing where facial recognition of the original subject will help keep that person in focus throughout the scene.

Exposure Control
For the first time in a Canon DSLR camera, a DIGIC processor is used exclusively with the metering sensor for fast, accurate exposure control. The Canon DIGIC 4 processor takes advantage of the EOS-1D X’s 100,000-pixel RGB Metering Sensor and utilizes 252 zones for general metering or 35 zones for low-light metering to help ensure accurate evaluative ambient or flash exposure.  The new subject recognition capabilities enhance nearly all of the camera’s automatic functions, helping to adjust exposure, autofocus, Auto Lighting Optimizer and Automatic Picture Style to the scene being captured for enhanced image quality.

Multiple Exposure Modes
The EOS-1D X is the first EOS Digital SLR to feature Multiple Exposure capability. The camera can combine up to nine individual images into a single composite image, with no need for post-processing in a computer. Four different compositing methods are provided for maximum creative control, including Additive, Average, Bright and Dark. Compositing results can be viewed in real time on the camera’s LCD monitor, and there is a one-step Undo command that allows photographers to delete an image and try again if desired. The EOS-1D X’s Multiple Exposure mode even allows photographers to specify a previously captured RAW image as the starting point for a new Multiple Exposure composite image.

Super High Speed Mode
The Canon EOS-1D X camera breaks new ground in the world of digital SLRs, offering a Super High Speed Mode which increases shooting speeds up to 14 fps at full 18-megapixel resolution in JPEG mode*1. The new camera is also capable of shooting RAW, JPEG, or RAW+JPEG at speeds up to 12 fps in One Shot AF or AI Servo AF for enhanced performance in sports photography and other applications requiring high-speed digital capture. This new level of performance is made possible by the combination of the EOS-1D X’s 16-channel readout CMOS sensor, Dual DIGIC 5+ image processors, and a completely new reflex mirror mechanism that has been engineered by Canon to combine high-performance with exceptional precision and reliability.

Enhanced EOS HD Video – New Compressions, Longer Recording
Centered around an all-new full-frame CMOS sensor with larger pixels than those found on the EOS 5D Mark II image sensor, the EOS-1D X utilizes new HD video formats to simplify and speed up post-production work.  The two new compression formats offered on the EOS-1D X include intraframe (ALL-i ) compression for an editing-friendly format and interframe (IPB) compression for superior data compression, giving professionals the options they need for their ideal workflow. Answering the requests of cinematographers and filmmakers, the EOS-1D X includes two methods of SMPTE-compliant timecode embedding, Rec Run and Free Run, allowing multiple cameras or separate sound recording to be synced together in post production.

Canon’s all new full-frame CMOS sensor ensures that video footage captured on the EOS-1D X will exhibit less moiré than any previous Canon model, resulting in a significant improvement in HD video quality. A desired feature for many documentary filmmakers using Canon DSLRs was to enable recording beyond the four gigabyte (GB) file capacity and the EOS-1D X is the answer. The new camera features automatic splitting of movie files when a single file exceeds 4GB.  The new file splitting function allows for continuous video recording up to 29 minutes and 59 seconds across multiple 4GB files; no frames are dropped and the multiple files can be seamlessly connected in post production, providing filmmakers the recording time they want in the same convenient DSLR form factor. The camera records Full HD at 1920 x 1080 in selectable frame rates of 24p (23.976), 25p, or 30p (29.97); and 720p HD or SD video recording at either 50p or 60p (59.94). SD video can be recorded in either NTSC or PAL standards.

The Canon EOS-1D X also includes manual audio level control, adjustable both before and during movie recording, an automatic setting, or it can be turned off entirely. A wind filter is also included. Sound can be recorded either through the internal monaural microphone or via an optional external microphone through the stereo mic input.

Enhanced Ergonomics & Optimized Design
Photographers familiar with Canon’s EOS 1D-series of cameras will notice the control configuration of the EOS-1D X takes a different approach to button placement.  The re-designed exterior and ergonomic button configuration feels comfortable in your right hand, allowing seamless navigation through menu options.

The Live View Button has been conveniently placed near the user’s thumb for one-touch switching between Live View and Viewfinder shooting. The Quick Control Button and menu navigation controls will allow users to change camera settings using only their right hand, for fast, simple one-handed control using their thumb on the scroll wheel. The new multi-controller is positioned by the right hand thumb when the camera is held for vertical shooting and enables the same level of control to camera operators when shooting vertically as they have when shooting horizontally.  On the front of the camera are four user assignable function buttons, two for vertical shooting and two for horizontal shooting, allowing customizable button control when shooting in either position.  The camera also features a level of weather resistance equivalent to earlier professional models such as the EOS-1D Mark IV.

Canon has answered the request of many professional EOS photographers and incorporated Dual Card Slots into the new EOS-1D X DSLR camera. The dual CF card slots will allow photographers to carry only one memory card format and still achieve instant image back-ups and enhanced storage capacity.

This camera also features a new shutter design with even greater durability and precision. Rated to 400,000 cycles, the new carbon fiber shutter blades are more lightweight and durable, allowing the EOS-1D X to achieve over 100,000 cycles more than the shutter of the EOS-1D Mark IV.  A new shutter motion and new motor help further reduce vibration in the camera. The EOS-1D X also features an electronic first curtain, new to the EOS-1D series DSLRs, for minimal in-camera vibration during image capture.

For professional photographers who prefer a wired workflow and transfer system, Canon has included a built-in LAN connection in the EOS-1D X DSLR. The built-in LAN connection features a gigabit Ethernet Jack capable of 1000BASE-T transmission speeds, offering photographers a stable wired connection for ultra-fast data transmission.  If the network were to go down, the camera will attempt to resend images until the files are sent.  The EOS-1D X also features a direct image transfer function whereby images can be selected for transfer, and only sent once a LAN or USB connection is established.

Designed exclusively for the EOS-1D X, the new Canon WFT-E6A Wireless File Transmitter* features wireless LAN support for 802.11n network transfer rates providing users with increased communication speed when compared to previous models.  With this new dust and weather resistant model, professionals can synchronize clocks on multiple cameras and use the unit to support linked shooting when utilizing multiple cameras.  In addition, Bluetooth-compatible equipment can be easily linked to the device as well.

The EOS-1D X also offers an optional Canon GP-E1 GPS Receiver*, which can be easily integrated into the camera’s body.  Powered by the camera, this GPS receiver provides the same weatherproof resistance as the EOS-1D X, even at the connector. With an electronic compass on-board, the GP-E1 will log movement – latitude, longitude, elevation, and the Universal Time Code – and allow viewing of camera movement on a PC after shooting.  The receiver will also record camera direction when shooting, even when shooting vertically.

Pricing and Availability
The Canon EOS-1D X Digital SLR camera is scheduled for March 2012 availability and will be sold in a body-only configuration at an estimated retail price of $6,800.00. The compact, lightweight WFT-E6A Wireless File Transmitter is scheduled to be available in March 2012 and have an estimated retail price of $600. Availability for the GP-E1 GPS receiver is expected in April 2012 with an estimated retail price of $300.

*1 Super High Speed Continuous shooting at 14 fps requires mirror lock and JPEG mode at ISO speeds less than 32000.

Additional images


Portrait tips

Here is a link for ten great portrait tips:

10 Ways to Take Stunning Portraits

Gallery Opening Night

A couple of months ago The f-Stops Here camera club had a gallery showing at the North Dam Mill in Biddeford, Maine. A very special thank you goes out to Tammy Ackerman form Biddeford Art Walk and our own Jessica for setting this event up.

Here is a great article for the self-taught photographer.

You know you secretly want to be a National Geographic photographer. But it takes a lot more than hoping. Self-learning is fun and cheap, but takes discipline. Check out these nine steps and resources.

1. Study photo books. Go to the public library or local book store and look at photo books while asking questions such as: “What makes this photo great?” “Why are these photos side by side?” “Why does this photographer only shoot B&W?” If you do this on a regular basis it can dramatically improve your photography and is enjoyable!

2. Take notes. Self learning can lack focus unless you take notes so you can follow up on questions and ideas. I started with a list of specific things I wanted to learn about photography. “What is White Balance and how do I use it?” “How slow can I hand hold the camera without getting a blurry photo?” “What is the rule of 1/3?” etc. Many years later I’m still adding new questions to this same piece of paper.

3. Podcasts. Check out: Jeff Curto’s Camera Position Podcast and his History of Photography Podcast. The Magnum Photo Essay Podcast is a cooperative of distinctive photographers worldwide. A must see. Click here for more of of the best photography podcasts.

5. iTunes U Ever wanted to study “Photography as Inquiry” at MIT, or “Documentary Studies” at Duke, but don’t have the time, not to mention the money? With iTunes U you can put them on you laptop and study them at your leisure for FREE!

iTunes U is new and is adding courses all the time. Be be sure to search for “photography” and see what classes, guest speakers and MOMA events come up. If you have iTunes, you already have iTunes U, most people just don’t know it. These are real college classes and have a lot of good learning inside, but just like real college classes they aren’t always thrilling. Pick your classes and teachers carefully.

6. Self CritiqueThis is no doubt the hardest part of self learning. Self critique means many things. For example, when evaluating a specific photograph, asking “how could this be better?” can also be translated into “what have I learned in the last 6 months?” The nature of critique is that 2 ideas are better than one, and 3 better than 2. This is why no one is truly “self taught.” We need others’ ideas and opinions to grow.

7. Getting Kind but Critical Opinions Luckily there are good places to get feedback and opinions about your work outside of learning institutions. A good place to start is someone close to you, someone you trust to be honest and kind but also critical. Another good option is the internet. There are many photo-sharing communities, such as Earth Trek that offer quality and critical feedback for your photos for free. Another good option is posting your photos to a travel community such as matador and begin a dialog with other travel photographers whose work you admire. The best option is to find a professional who can give you personal attention. Try a local camera shop or even look in the phone book for photographers in your area.

8. Workshops as reinforcement. Nearly everyone who is serious about photography takes workshops from time to time. This includes top pros! There are only 2 ways to be finished learning about photography, give up or die. It’s this ongoing struggle that keeps us engaged and youthful and it’s never too soon nor too late to take a workshop.

9. Let the Path be your Guide Don’t wait till you are ready to start being a photographer. Let the path tell you when you are ready. Start showing your work in shows; start trying to get it published today. You will get rejections and make mistakes, but it is without a doubt the fastest way to learn.

by Ryan Libre


Never knew

Hi guys. I know its been awhile! Anyway, ran across this article which reminds me why it’s a good idea to store your equipment in something else then the bag you travel around with. Gotta love the fungus.
Phototuts+/Lomography – “All About The Dreaded Fungus”

Alright, I know it has been a little while since the contest ended and still haven’t released the name of the winner yet. What can I say besides I’m sorry. In my defense, I have been having one great summer. I now realize why other photo clubs don’t meet in the summer; it’s just too difficult with everything else that is going on. That’s not to say the Photo Club members have put their cameras down. Jess is still clicking away on her walks through Saco and Biddeford, Leslie took some great pictures on her trip to Greece, John always has his camera with him and has caught some great pictures of the Maine lifestyle, and I always have my camera with me whenever I go out fishing. No matter what the situation is for each of the members, be rest assured that things will be picking up, and certainly clicking, in the fall. In order to do that I am calling a end-of-summer wrap up meeting on Sunday, August 28th. Location and time TBA.
Now on to the contest winner!

"Made to Last"

With no more delay… the winning photograph with 27 percent of the vote was Made to Last taken by Shaun Johnson.  The view of the old rusty tricycle set against a backdrop of budding purple flowers is beautiful in every detail.  Maybe we can get Shuan to comment on how on his view and inspiration of the photo when he writes his thanks to all his fans.

We definitely need a second place mention because Geared up only lost by ONE VOTE!  It was a close competition indeed.  Not only was it second but it was certainly first in all the comments and e-mails I received from fans for the raffle.  Apparently people love the gritty and visual edge the teeth offer in its black and white composition.

"Geared Up"

With Geared up being so popular, I had no doubt it would win the raffle contest which Brian Reid will receive a print of.  In his e-mail Brian wrote, “I like Geared Up because of the way it’s partially blurry, it would be boring if everything was clear. I like that it doesn’t have any color because it’s easier to see the circle patters in black and white. It was hard to pick a favorite because there were a lot of good pictures but I like Geared Up the best.”  Congratulations Brian, just email your contact information from the same e-mail address you used before to bikecontest@live.com and we can send you the print.  If any of you still would like a print of any of the photo’s then I am sure something can be arranged with you and the photographer.  Just e-mail the address above and I can have the photographer e-mail you back.

Thank you to everyone who took part in the contest.  It was extremely fun and challenging and I would love to do this again sometime soon.  In the meantime, why doesn’t everyone send in their favorite photo’s they took in July and I can create a montage of sorts for the month.  You don’t have to be a Photo Club member to participate, we welcome all amateur and semi-professional photographers.  Keep clicking away in August too and see if one of us can capture in one picture what August in Maine is all about.  See you all in August!

Contest is over!

Hey there photo people! Sorry to not have been keeping up with the site lately but as you can probably tell, its summer. With summer comes great responsibility. The contest is now officially over and I will post the results soon enough. I just ask you to please bear with me as I am quite busy with a wedding to attend to and a road race I just ran. Also, Photo Club Members, we need to set a meeting soon and if not have an event to go to, then we should at least discuss another topic for another contest to keep everyone engaged with their cameras and their eyes open. It’s a great summer out there so let’s try to think up some Maine summer themes!